About Centaurs

In Greek mythology, the Centaurs (from Ancient Greek: Κ?νταυροι - Kentauroi) are a race of creatures composed of part human and part horse. In early Attic vase-paintings, they are depicted as the torso of a human joined at the (human's) waist to the horse's withers, where the horse's neck would be.

This half-human and half-animal composition has led many writers to treat them as liminal beings, caught between the two natures, embodied in contrasted myths, and as the embodiment of untamed nature, as in their battle with the Lapiths, or conversely as teachers, like Chiron.

The centaurs were usually said to have been born of Ixion and Nephele (the cloud made in the image of Hera). Another version, however, makes them children of a certain Centaurus, who mated with the Magnesian mares. This Centaurus was either the son of Ixion and Nephele (instead of the Centaurs) or of Apollo and Stilbe, daughter of the river god Peneus. In the latter version of the story his twin brother was Lapithus, ancestor of the Lapiths, thus making the two warring peoples cousins.

Centaurs were said to have inhabited the region of Magnesia and Mount Pelion in Thessaly, Mount Pholoe in Arcadia and the Malean peninsular in southern Laconia.

Centauromachy

The Centaurs are best known for their fight with the Lapithae, caused by their attempt to carry off Hippodamia and the rest of the Lapith women, on the day of her marriage to Pirithous, king of the Lapithae, himself the son of Ixion. The strife among these cousins is a metaphor for the conflict between the lower appetites and civilized behavior in humankind. Theseus, a hero and founder of cities, who happened to be present, threw the balance in favor of the right order of things, and assisted Pirithous. The Centaurs were driven off or destroyed. Another Lapith hero, Caeneus, who was invulnerable to weapons, was beaten into the earth by Centaurs wielding rocks and the branches of trees. Centaurs are thought of in many Greek myths as wild as untamed horses. Like the Titanomachy, the defeat of the Titans by the Olympian gods, the contests with the Centaurs typify the struggle between civilization and barbarism.

The Centauromachy is most famously portrayed in the Parthenon metopes by Phidias and a Renaissance-era sculpture by Michelangelo.

Theories of origin

The most common theory holds that the idea of centaurs came from the first reaction of a non-riding culture, as in the Minoan Aegean world, to nomads who were mounted on horses. The theory goes that such riders would appear as half-man, half-animal (Bernal Diaz del Castillo reported that the Aztecs had this misapprehension about Spanish cavalrymen). Horse taming and horseback culture arose first in the southern steppe grasslands of Central Asia, perhaps approximately in modern Kazakhstan.

Persistence of the Centaur myth in the Roman Empire was probably reinforced by the Hun invasions (in particular Attila), where mounted archery was especially devastating.

The Lapith tribe of Thessaly, who were the kinsmen of the Centaurs in myth, were described as the inventors of horse-back riding by Greek writers. The Thessalian tribes also claimed their horse breeds were descended from the centaurs.

Of the various Classical Greek authors who mentioned centaurs, Pindar was the first who describes undoubtedly a combined monster. Previous authors (Homer etc) only use words such as Pheres (Beasts) that could also mean ordinary savage men riding ordinary horses. However, contemporaneous representations of hybrid centaurs can be found in archaic Greek art.

Writer Robert Graves has speculated that the Centaurs of Greek myth were a dimly-remembered, pre-Hellenic fraternal earth cult who had the horse as a totem. A similar theory was incorporated into Mary Renault's The Bull from the Sea.

The Greek word kentauros could be etymologized as ken - tauros = "piercing bull". Another possible etymology can be "bulls slayer". Some say that the Greeks took the constellation of Centaurus, and also its name "piercing bull", from Mesopotamia, where it symbolized the god Baal who represents rain and fertility, fighting with and piercing with his horns the demon Mot who represents the summer drought. (In Greece, Mot became the constellation of Lupus.) Later in Greece, the constellation of Centaurus was reinterpreted as a man riding a horse, and linked to legends of Greece being invaded by tribes of horsemen from the north. The idea of a combined monster may have arisen as an attempt to fit the pictorial figure to the stars better.

Alexander Hislop in his book The Two Babylons theorized that the word is derived from the Semitic Kohen and Tor via phonetic shift the less prominent consonants being lost over time ,with it developing into Khen Tor or Ken-Tor, and being transliterated phonetically into Ionian as Kentaur

Female Centaurs

Though female centaurs, called Kentaurides are not mentioned in early Greek literature and art, they do appear occasionally in later antiquity. A Macedonian mosaic of the C4th BCE is one of the earliest examples of the Centauress in art. Ovid also mentions a centauress named Hylonome who committed suicide when her lover Cyllarus was killed in the war with the Lapiths.

In a description of a painting in Neapolis, the Greek rhetorician Philostratus the Elder describes them as sisters and wives of the male centaurs who live on Mount Pelion with their children.

"How beautiful the Centaurides are, even where they are horses; for some grow out of white mares, others are attached to chestnut mares, and the coats of others are dappled, but they glisten like those of horses that are well cared for. There is also a white female Centaur that grows out of a black mare, and the very opposition of the colours helps to produce the united beauty of the whole."

In the Disney Classic Fantasia, during the Pastoral Symphony, some of the main characters are female centaurs. However, the Disney studio called them "Centaurettes" instead of Kentaurides.

Informations take from wikipedia.

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